Fannie L’Heureux is a multidisciplinary artist whose practice revolves around the revaluation of femininity and resilience as acts of resistance. With a bachelor’s degree in visual and media arts from UQÀM, she explores the relationships between the body, femininity, consumer objects, and digital media. Her poetic, critical and feminist approach unfolds through performance, relational art, performative archives, video and installation. She has presented her work in numerous venues, including Galerie de l’UQAM, TOPO, Le Lieu, Studio 303, Les Ateliers Belleville and Espace culturel Georges-Émile-Lapalme at Place des Arts. She has also taken part in performance programmes as part of RIPA 2025, Artch 2025 and the Festival Détours 2024. In 2022, she was awarded the McAbbie Foundation Excellence Grant. She lives and works in Montreal.
Fannie L’Heureux
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At the whim of our permeable bodies
Performance[16-16 May]OBORO [4001, rue Berri, #301, Montréal, QC]
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At the whim of our permeable bodies
Performance[16-16 May]OBORO [4001, rue Berri, #301, Montréal, QC]
Fannie L’Heureux is a multidisciplinary artist whose practice revolves around the revaluation of femininity and resilience as acts of resistance. With a bachelor’s degree in visual and media arts from UQÀM, she explores the relationships between the body, femininity, consumer objects, and digital media. Her poetic, critical and feminist approach unfolds through performance, relational art, performative archives, video and installation. She has presented her work in numerous venues, including Galerie de l’UQAM, TOPO, Le Lieu, Studio 303, Les Ateliers Belleville and Espace culturel Georges-Émile-Lapalme at Place des Arts. She has also taken part in performance programmes as part of RIPA 2025, Artch 2025 and the Festival Détours 2024. In 2022, she was awarded the McAbbie Foundation Excellence Grant. She lives and works in Montreal.